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Category Archives: Press Release

Handel and Haydn Society Announces Financial Surplus for Fiscal Year 2014

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H+H heads into its Bicentennial Season in peak fiscal shape, as well as on track to meeting the goals set out in 2012’s Five-Year Strategic Plan

At its annual meeting, voters re-elect Nicholas Gleysteen as Chairman of the Board

 Ian Watson named Resident Conductor; Education Department announces new hires to Vocal Arts Program, Vocal Quartet, and School Residency Programs; several new staff appointments

September 30, 2014 (Boston, MA) —  At its annual meeting held in Boston on September 29, the Handel and Haydn Society (H+H) presented its audited financial statements for the fiscal year ending June 30, 2014 and announced that it had generated a surplus as well as reached key organizational goals for the 2013–2014 Season. Also discussed was the implementation and completion of the second year of the institution’s Strategic Plan, adopted in fall 2012 to guide the organization through its 2015 Bicentennial and beyond.

“The 199th season of the Handel and Haydn Society was one of the most memorable in recent years,” said Executive Director and CEO Marie-Hélène Bernard. “Because of the commitment and immense talents of our musicians, leadership, artistic and community partners, patrons, and staff, H+H is poised to continue to serve Boston and enrich the lives of music lovers around the world.”

“It  has been a great honor and pleasure to serve this venerable organization, and I’m thrilled to continue working alongside Marie-Hélène and Artistic Director Harry Christophers as we move into, and beyond, H+H’s Bicentennial,” said Board Chairman Nicholas Gleysteen. “We remain most grateful to  the people of Boston, which is one of the most engaged musical audiences in the world.”

With a budget of $4.3 million and an endowment of well over $6 million, the organization is on solid financial footing for its ambitious Bicentennial Season, which begins on October 10 with the Symphony Hall program Baroque Fireworks! H+H Turns 200. Other Bicentennial events include a commission, an exhibition at the Boston Public Library’s Central Branch at Copley Square, free concerts for the Boston community, expanded educational initiatives, special lectures, and recording projects.

H+H ended its FY14 fiscal year on June 30, 2014, with a surplus of $11,312. H+H balanced its budget with total revenue of $4,293,194 and total expenses of $4,281,882. Unrestricted contributions from individuals and institutions, representing more than half of operating revenues, remained strong, including a successful Society Ball, H+H’s annual gala fundraiser. The Handel and Haydn Society generated over 40% of its total revenue from earned revenue. Furthermore, H+H completed a rebranding under the expertise help of Minelli, Inc. in Boston,

The Handel and Haydn Society’s 2013–2014 season, the fifth under Artistic Director Harry Christophers’ visionary leadership, was a stunning platform for H+H’s exceptional Period Instrument Orchestra and Chorus, from Bach’s monumental Mass in B Minor to the powerful Handel oratorio Samson. In addition to over 25 subscription concerts at Symphony Hall, Jordan Hall, and Sanders Theatre, H+H brought back Holiday Sing, a December family-friendly concert featuring the H+H Chorus and youth choruses at Faneuil Hall. H+H was also featured in the Celebrity Series’ 75th anniversary presentation of Mark Morris’ new production of Handel’s Acis and Galatea at the Shubert Theatre and was invited to perform two concerts during the American Guild of Organists Conference in Boston in June 2014.

Including its community and education initiatives, H+H deepened its work to reach well over 50,000 people last season. Collaborations with educational and arts institutions in the Greater Boston area remain important to Handel and Haydn and a priority within the Strategic Plan. This past season, it presented 26 concerts in partnership with local institutions including the Boston Athenæum, Boston Chinatown Neighborhood Center, Museum of African American History, Peabody Essex Museum, and the Boston Summer Arts Weekend Festival (co-produced by WGBH and the Boston Globe). H+H benefited again from a creative partnership with MassArt wherein 54 junior class students in the Illustration Department created works of visual art inspired by Handel’s dramatic oratorio Samson. Twelve of the pieces were selected for display at the performances of Samson in May.

Providing in-school music education and choral programs, the organization’s school residencies at the John F. Kennedy Elementary School in Jamaica Plain and the Joseph Lee School in Dorchester were recently cited in the Boston Globe as a success story. (Beginning this fall, thanks to new foundation grants, H+H will expand the footprint of this program to two more underserved public schools, Michael J. Perkins Elementary School in South Boston and Mother Caroline Academy in Dorchester.) Another highlight of this season’s Karen S. and George D. Levy Education Program were the Collaborative Youth Concerts bringing together local high students to perform in front of a combined audience of over 5,000. The 2013–2014  Season also marked the debut of the Young Women’s Chamber Choir, which was comprised of 18 highly advanced singers selected from the Young Women’s Chorus.

At the annual meeting, Nicholas Gleysteen was re-elected Chairman of the Board. Gleysteen, a lawyer and CPA, is a Portfolio Manager at Hellman, Jordan Management Co., and also serves on the Somerset Club Executive Committee, on the boards of Fort Ticonderoga, the National Trust for Scotland USA, the Handel House USA, and on the Norfolk Hunt Club Board of Stewards. Also re-elected as Governors were William Achtmeyer, Amy Anthony, David Elsbree, Todd Estabrook, Kathleen McGirr, Anthony Moosey, Stephen Morrissey, George Sacerdote, Wat Tyler Jr., Thomas Watt, Elizabeth Wax, Kathleen Weld, Jane Wilson, and Christopher Yens. Re-elected Overseers were Richard Bachelder, Howard Fuguet, Nancy Hammer, Paul Kelly, Peter Manson, James Millea, Judith Lewis Rameior, Brenda Reny, and Robert Shapiro. Claire Laporte and Prema Popat were elected as new Overseers.

In addition to Nicholas Gleysteen as Board Chairman and W. Carl Kester, from the Harvard Business School, as First Vice Chair, the following board members were elected Vice Chairs: Julia Cox, financial consultant; Todd Estabrook of Commonwealth Financial; Deborah First, communications consultant; Karen Levy, education specialist; Mary Nada, philanthropist; Michael Scott Morton of the Massachusetts Institute of Technology Sloan School of Management; and Wat Tyler Jr., philanthropist. Also elected were Jeffrey Thomas, Chief Investment Officer of Atlantic Trust Private Wealth Management, as Treasurer; Winifred Li of Ropes & Gray LLP as Secretary; and Marie-Hélène Bernard as Chief Executive Officer.

The annual meeting also made official the appointment of Ian Watson as Resident Conductor. Harpsichordist and organist with the Handel and Haydn Society since the 2008–2009 Season, Watson in his new role will assist Harry Christophers and guest conductors with programming, concert preparation, leading H+H smaller ensembles in various venues in Boston and on the road. Watson will also conduct H+H’s free outdoor performance of Beethoven’s Ninth Symphony on July 26, 2015. “Ian is a trusted and indispensable member of the Period Instrument Orchestra,” said Artistic Director Harry Christophers. “I am delighted that his prodigious talents will be on fuller display here at H+H.”

New to the Education Program staff are Kevin McDonald as conductor of the Vocal Arts Program (VAP) Young Men’s Chorus and Jennifer Kane as conductor of the VAP Singers and Youth Chorus. The 2014–2015 Bicentennial Season’s Vocal Quartet consists of soprano Sarah Moyer, alto Christina English, tenor Christian Figueroa, and bass RaShaun Campbell.

Additionally, soprano Sonja Tengblad has taken on the responsibilities as Teacher-in-Residence at the Joseph E. Lee School and Mother Caroline Academy. Seychelle Dunn is the new Teacher-in-Residence at Perkins Elementary School.

H+H is also pleased to announce the following new staff appointments: Jim Keenan as Director of Marketing and Communications; Louisa Trackman as Associate Director, Institutional Giving; Amanda LaPain as Audience Services Manager; and the promotions of Haley Brown, José Cuadra, and Hannah Grube as Project Coordinator, Assistant Audience Services Manager, and Development Associate, respectively.

H+H Mourns the Death of Christopher Hogwood

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The Handel and Haydn Society (H+H) is deeply saddened by the death of its conductor laureate, Christopher Hogwood, who served as Handel and Haydn Society Artistic Director from 1986 to 2001. Christopher Hogwood profoundly changed the direction and vision of this venerable institution, and added tremendously to its renown and international profile.

By completing its evolution in 1989 into an exclusively period-instrument orchestra and chorus, Hogwood ushered in a new and exciting chapter in the history of this 200-year-old organization. His 15-year tenure abounds with great artistic successes, from a splendid collaboration with the Mark Morris Dance Group in a production of Gluck’s Orfeo ed Euridice, which toured to the Edinburgh Festival and elsewhere, to unique jazz partnerships with the Dave Brubeck Ensemble, Chick Corea, and the Marian McPartland Trio, among others.

“We are simply heartbroken by this news,” says H+H Executive Director and CEO Marie-Hélène Bernard. “Chris left a permanent footprint on this organization. We were very much anticipating his return in March to lead the Mendelssohn Elijah during the H+H Bicentennial. It’s a milestone that I know meant a great deal to him.”

Born in Nottingham, England on September 10, 1941, Christopher Jarvis Haley Hogwood studied music and classical literature at Pembroke College, Cambridge. His early music influences included conductor and harpsichordist Raymond Leppard and musicologist and harpsichordist Thurston Dart. Dart inspired David Munrow and Hogwood who became the founders of the Early Music Consort of London in 1967. Hogwood then revived the Academy of Ancient Music, a group originally begun in 1726, to study the “old” music of its day. Under Hogwood’s direction, the “new” Academy of Ancient Music performed and recorded on period instruments. He was first approached by the Handel and Haydn Society in 1985 and became its Artistic Director in 1986.

Hogwood began his tenure with a powerful first impression: a Mozart weekend, centered around the Requiem, followed by H+H’s first period-instrument Messiah and a spring full of Bach, Handel, Mozart, Purcell, and Haydn. During his tenure, Boston also heard Handel operas (Giulio Cesare, Semele, Acis and Galatea, and, later, Ariodante) and in 1999, the world premiere of Dan Welcher’s JFK: The Voice of Peace, narrated by David McCullough, which had been commissioned by H+H.

“It was thrilling to work with Chris,” says veteran H+H principal flutist Christopher Krueger. “He brought so many new ideas and so much energy to the projects, that one couldn’t help but feel swept up in a new wave of music-making. Chris was a great leader, but he was always extremely human, always a colleague; he never put himself above any of the musicians he worked with; he seemed to be delighted by all of us,” continues Krueger. “He was a good friend.”

After leaving the Handel and Haydn Society in 2001, Hogwood became Emeritus Director of the Academy of Ancient Music, the orchestra he founded in 1973, during the 2007–2008 Season. In addition to his close association with the Kammerorchester Basel, Hogwood was also a regular guest with the Tonhalle Zurich, Frankfurt Radio Symphony Orchestra, and Athens Camerata. A prolific musician, he made over 250 recordings, including the first-ever complete Mozart symphonies on period instruments.

“Although he made his reputation recording Mozart, Chris was perhaps most passionate about Mendelssohn,” says Mary Deissler, H+H CEO at the time of Hogwood’s tenure. “He felt Mendelssohn could give Mozart and even Beethoven a good run for the money. In 2000 he led the monumental Elijah for the 100th anniversary of Symphony Hall, and it was one of his proudest moments with us.”

A writer and musicologist, Hogwood also edited the music of Mendelssohn and C.P.E. Bach. He was the chair of the editorial board of C.P.E. Bach: The Complete Works, which is published by the Packard Humanities Institute. Hogwood’s personal volumes include Handel: Water Music and Music for the Royal Fireworks (Cambridge University Press), published in 2005.

H+H will dedicate the performances of Mendelssohn Elijah, to be conducted by former Music Director Grant Llewellyn on March 6 and 8, 2015 at Symphony Hall, to Christopher Hogwood.

From Harry Christophers, H+H Artistic Director: “As founder and conductor of the Academy of Ancient Music, Chris set the world alight and was very much at the forefront of the period music movement. His inspirational appointment as Artistic Director of H+H in 1986 broke new boundaries. By turning the orchestra into a period orchestra, he laid the foundations for excellence in scholarship and stylish playing. He redefined our mission–to make the old sound new. We will miss him greatly.”

Handel and Haydn Society Opens Bicentennial Season in Grand Style

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“For two centuries you have striven to set a standard of excellence in performance. … As you celebrate this historic milestone, I hope you take great pride in all you have achieved.” — President Barack Obama

 “One of my earliest US engagements consisted of two performances of Messiah with the Handel and Haydn Society. … I thank the Society so very much for having given me that important early opportunity, and I wish it the best of luck for its next 200 years.” — Plácido Domingo

Handel and Haydn Society Opens Bicentennial Season in Grand Style

2014–2015 Bicentennial Season launches in earnest this October with celebratory Baroque Fireworks program and releases of Bicentennial magazine, Bicentennial book, and new Messiah CD

Ambitious season continues with performances of four of the greatest oratorios ever written (three of which were premiered in this country by H+H), two brilliant showcases for H+H Concertmaster Aisslinn Nosky, and free performances, exhibit, and other special events

 H+H continues its legacy of presenting new music with a commissioned work by Gabriela Lena Frank  

September 9, 2014 (Boston, MA) —  The Handel and Haydn Society (H+H), led by Artistic Director Harry Christophers, opens the 2014-2015 Bicentennial Season on October 10 and 12 with the joyous program, Baroque Fireworks! H+H turns 200. The celebration continues with performances of historically significant works that H+H introduced to American audiences in the 19th century (Handel’s Messiah, Mendelssohn’s Elijah, Bach’s St. Matthew Passion, and Haydn’s Creation). The Bicentennial Season culminates in the spring and summer with an interactive exhibit at the Boston Public Library exploring H+H’s history, a world premiere work by prominent American composer Gabriela Lena Frank, and a free outdoor performance of Beethoven’s epic Ninth Symphony (“Ode to Joy”).

Harry Christophers promises the Baroque Fireworks season opener to be “quite the occasion,” brimming with virtuoso playing and popular choral and orchestral selections, including Handel’s Coronation Anthem No. 1, the Bach motet Singet dem Herrn, and Handel’s Music for the Royal Fireworks.

 Also kickstarting the season are two publicationsa Bicentennial commemorative magazine and Bicentennial book. Both retrospective and forward-looking, the 52-page magazine traces H+H’s legendary past and lays out its creative vision for the Bicentennial Season. In the 250-page coffee-table book The Handel and Haydn Society: Bringing Music to Life for 200 Years, published by Godine Publishers, respected writers (Jan Swafford, Teresa M. Neff, Michael Broyles, Matthew Guerrieri, Steven Ledbetter, Donald Teeters, and Thomas Forrest Kelly) bring to life the rich history of this venerable organization. Co-edited by Neff and Swafford, the book is available in two editions: a standard copy ($40) and a numbered special edition ($200) bound in cloth, enclosed in a slipcase, and signed by Artistic Director Harry Christophers.

On October 14, in celebration of H+H’s Bicentennial Season, a new live recording of Handel’s Messiah will be released on the CORO label. Recorded at Boston’s Symphony Hall in November and December 2013, the new CD is H+H’s first recording of Handel’s popular oratorio under Christophers’ direction. Soprano Gillian Keith, countertenor Daniel Taylor, tenor Tom Randle, and baritone Sumner Thompson join the Period Instrument Orchestra and Chorus in this inspired interpretation.

2014-2015 Bicentennial Season Highlights

 Baroque Fireworks is a fitting introduction to this celebratory season by dramatically showcasing the acclaimed Handel and Haydn Society Period Instrument Orchestra and Chorus, as well as Concertmaster Aisslinn Nosky (in the “Summer” concerto from Vivaldi’s Four Seasons) and the Vocal Arts Program (VAP) Young Women’s and Young Men’s Choruses. The October 10 and 12 performances of Baroque Fireworks will include a special announcement about H+H’s future, with other surprises in store.

Dazzling H+H Concertmaster Aisslinn Nosky leads the second subscription concert of the season: Vivaldi’s demanding L’estro armonicoThis all-Italian Baroque program (October 31 and November 2) features several of the Vivaldi concerti—works that heavily influenced Bach—alongside Tartini’s Devil’s Trill Sonata, a work made famous by its fiendish difficulty and eerie legend of the Devil visiting the composer in a dream.

Late November and December bring three cherished H+H holiday traditions. Harry Christophers conducts the Period Instrument Orchestra and Chorus and internationally acclaimed soloists in the 161st annual performance of Handel’s Messiah (November 28, 29, and 30). Audiences will “rejoice greatly” with soprano Joélle Harvey, countertenor Tim Mead, tenor Allan Clayton, and bass Brindley Sherratt. On December 18 and 21, Back Bay Chorale Music Director Scott Allen Jarrett takes the Period Instrument Orchestra and Chorus on a journey through Christmas past, from medieval plainchant to Bach’s Cantata 40 and Cantata IV from the Christmas Oratorio. H+H also welcomes families to celebrate the holidays with the returning Holiday Sing. Guest conductor Lisa Graham, the H+H Chorus, and Vocal Arts  Program youth choirs invite audiences to sing along with holiday favorites at Boston’s historic Great Hall in Faneuil Hall on December 13.

In January 2015, Harry Christophers and Aisslinn Nosky continue their critically-praised survey of the orchestral music of Joseph Haydn. The sequel to 2012’s Haydn in Paris, this January 23 and 25 program has Nosky taking the stage in Haydn’s seldom-heard Violin Concerto in C Major. The concert also features two Haydn symphonies, including the dramatic Symphony No. 83 (La Poule).

On February 13–15, Richard Egarr, a frequent H+H guest conductor and music director of the Academy of Ancient Music, returns to continue his survey of the Beethoven symphonies, this time with the cheerful Symphony No. 1 in C Major. The program includes a performance of Mozart’s Mass in C Minor, K. 139 (Waisenhaus Mass), written by the composer at age 13, and sung by soloists from H+H’s own Chorus.

Egarr’s program is followed by a succession of three of the greatest oratorios, performed over the course of just two months. Known in the 19th century as the Messiah of its day, Mendelssohn’s Elijah is the first in this oratorio triptych. Led by former Artistic Director Grant Llewellyn, it features bass-baritone Andrew Foster-Williams in the title role of the Old Testament prophet (March 6 and 8). Next comes Bach’s St. Matthew Passion, the one-of-a-kind masterwork that H+H last presented in 2012 to sold-out houses. This time, it will be performed during the final days of Lent with Christophers at the podium leading the Period Instrument Orchestra and Chorus, distinguished soloists, and the Young Women’s and Young Men’s Choruses (March 27 and 29). Christophers will also lead performances of Haydn’s Creation (May 1 and 3), a work inspired by the composer’s trips to England where he first heard Handel’s oratorios. Haydn’s crowning choral masterpiece was premiered in the United States by H+H in 1819 and was last performed by the ensemble in 2001.

Boston is the site of the 2015 Chorus America National Conference (June 17– 20), a gathering of 500 choral music professionals from across the country. H+H will host an opening reception on Wednesday, June 17 and centerpiece performance at Symphony Hall on Thursday, June 18 that features Harry Christophers conducting the H+H Chorus and VAP youth choirs. This Symphony Hall concert—Handel and Haydn Sings— includes a new work for chorus and chamber orchestra by award-winning American composer Gabriela Lena Frank. Co-commissioned by H+H and the Library of Congress, the piece draws on Frank’s Peruvian, Jewish, and Chinese heritage and Ralph Waldo Emerson’s “Boston Hymn” as inspiration.

2014–2015 Ticket and Subscription Information

Tickets to Baroque Fireworks, along with other subscription concerts, are on sale at the Handel and Haydn Society Box Office by phone at 617 266 3605, online at www.handelandhaydn.org or in person at 9 Harcourt St. Boston (M–F 10am–6pm). Subscriptions to the 2014–2015 Bicentennial season are still available. Options include eleven-, nine- and six-concert series and an H2 Young Professionals package, as well as “Choose Your Own” packages.

Special Bicentennial Events

Exhibit at the Boston Central Library in Copley Square                 March 24 – September 7, 2015

H+H’s extensive archives—containing a wealth of photos, concert program books, newspaper clippings, and more—date back to the early 1800s. These treasures, enhanced by interactive media, will be on view at the Boston Public Library for six months, and accessible worldwide in an online collection catalogue. Presented in partnership with the Freedom Trail Foundation and the Massachusetts Institute of Technology, the exhibit will explore H+H’s 200-year history through the lens of classical music in America. Exhibit admission is free of charge.

Music Critics Association of North America (MCANA) Institute             March 26 – 29, 2015

A MCANA institute will take place in Boston in conjunction with the Handel and Haydn Society’s Bicentennial Season.  Ten MCANA members will attend or participate in panel discussions with local scholars and musicians about historically informed performance and related topics. The Handel and Haydn Society will act as host, shepherding journalists through an exploration of H+H in times past and present, with direct access to H+H artists and staff, concerts, and archives at the Boston Public Library.

The Society Ball Gala Benefit at Symphony Hall                                                         April 18, 2015

H+H’s benefactors and friends come together for a lavish gala fundraiser, featuring a performance by the Period Instrument Orchestra and Chorus, led by Harry Christophers, with proceeds to benefit H+H’s education and artistic initiatives. This Boston event of the year takes place at Symphony Hall, H+H’s home since 1900, with a focus on celebrating H+H’s important place in the history of Boston and the United States.

Beethoven Symphony No. 9                                                                                  July 26, 2015

This free outdoor performance of Beethoven’s Ninth Symphony is H+H’s gift to the City of Boston. The celebrated H+H orchestra and chorus is joined by other choral ensembles from around New England for this magnificent event, including the Harvard Summer Chorus (led by Andrew Clark) and H+H’s VAP youth choirs. H+H’s Ian Watson conducts.

2014–2015 Bicentennial Season Calendar

Baroque Fireworks! H+H turns 200

October 10, 2014, 7.30pm at Symphony Hall

October 12, 2014, 3pm at Symphony Hall

Lead sponsor: Boston Private Bank & Trust Company

Harry Christophers, conductor

Handel and Haydn Society Period Instrument Orchestra and Chorus

Vocal Arts Program Young Men’s and Young Women’s Chorus

Handel: Coronation Anthem No. 1, Zadok the Priest

Bach: Singet dem Herrn

Handel: Coronation Anthem No. 3, The King shall rejoice

Handel: Music for the Royal Fireworks

Sir John Stevenson: “They play’d, in air the trembling music floats”

Vivaldi: “Summer” from The Four Seasons

Handel: “Worthy is the Lamb” and “Amen” choruses from Messiah


Vivaldi L’estro armonico

October 31, 2014, 7.30pm at Jordan Hall

November 2, 2014, 3pm at Jordan Hall

Aisslinn Nosky, violin and leader

Susanna Ogata, violin
Guy Fishman, cello

Handel and Haydn Society Period Instrument Orchestra

Vivaldi: Concerto for 2 violins and cello in D Minor, Op. 3, No. 11
Vivaldi: Violin Concerto in D Major, Op. 3, No. 9
Vivaldi: Cello Concerto in F major, RV 410
Vivaldi: Violin Concerto in A Minor, Op. 3, No. 6
Torelli: Concerto Grosso in E Minor, Op. 8, No. 9
Tartini: Devil’s Trill Sonata
Vivaldi: Concerto for 2 violins in A Minor, Op. 3, No. 8
Vivaldi: Violin Concerto in D Major, RV 208, Grosso Mogul


Handel Messiah

November 28, 2014, 7.30pm at Symphony Hall

November 29, 2014, 3pm at Symphony Hall

November 30, 2014, 3pm at Symphony Hall

Harry Christophers, conductor

Joélle Harvey, soprano

Tim Mead, countertenor

Allan Clayton, tenor

Brindley Sherratt, bass

Handel and Haydn Society Period Instrument Orchestra and Chorus


Holiday Sing
December 13, 2014, 1pm at Great Hall, Faneuil Hall

December 13, 2014, 3pm at Great Hall, Faneuil Hall

Lisa Graham, conductor

Handel and Haydn Society Chorus and Brass Quintet


A Bach Christmas

December 18, 2014, 7.30pm at Jordan Hall

December 21, 2014, 3pm at Jordan Hall

Scott Allen Jarrett, conductor

Handel and Haydn Society Period Instrument Orchestra and Chorus

Plainsong:  Alma redemptoris mater

Palestrina: Alma redemptoris mater or Victoria: Alma redemptoris mater

Vulpius: Es ist ein Ros’ entsprungen

J.S. Bach: Cantata 40, Dazu ist erschienen der Sohn Gottes

Schütz: Ach Herr, du Schöpfer aller Ding

Corelli: Concerto Grosso, Op 6, No. 8, Christmas Concerto

Sweelinck: Hodie Christus natus est

J.S. Bach: Cantata IV from Christmas Oratorio, BWV 248


Haydn with Aisslinn Nosky

January 23, 2015, 7.30pm at Symphony Hall

January 25, 2015, 3pm at Symphony Hall

Harry Christophers, conductor

Aisslinn Nosky, violin (and leader for concerto)

Handel and Haydn Society Period Instrument Orchestra

Haydn: Symphony No. 7, Le Midi

Haydn: Violin Concerto in C Major

Haydn: Overture to Lo Speziale

Haydn:  Symphony No. 83, La Poule


Mozart and Beethoven

February 13, 2015, 7.30pm at Jordan Hall

February 14, 2015, 7.30pm at Jordan Hall

February 15, 2015, 3pm at Jordan Hall

Richard Egarr, conductor

Sonja DuToit Tengblad, soprano

Emily Marvosh, contralto

Stefan Reed, tenor

David McFerrin, bass-baritone

Handel and Haydn Society Period Instrument Orchestra and Chorus

Mozart: Mass in C Minor, K. 139, Waisenhaus Mass

Beethoven: Symphony No. 1


Mendelssohn Elijah

March 6, 2015, 7.30pm at Symphony Hall

March 8, 2015, 3pm at Symphony Hall

Grant Llewellyn, conductor

Sarah Coburn, soprano

Christianne Stotijn, mezzo-soprano

Andrew Kennedy, tenor

Andrew Foster-Williams, bass-baritone

Handel and Haydn Society Period Instrument Orchestra and Chorus


Bach St. Matthew Passion

March 27, 2015, 7.30pm at Symphony Hall

March 29, 2015, 3pm at Symphony Hall

Presenting Sponsor: Ropes & Gray, LLP

Harry Christophers, conductor

Joshua Ellicott, Evangelist

Roderick Williams, Jesus

Joélle Harvey, soprano

Renata Pokupić, mezzo-soprano

Matthew Long, tenor

Sumner Thompson, baritone

Handel and Haydn Society Period Instrument Orchestra and Chorus

VAP Young Women’s Chamber Choir and Young Men’s Choruses


Haydn The Creation

May 1, 2015, 7.30pm at Symphony Hall

May 3, 2015, 3pm at Symphony Hall

Harry Christophers, conductor

Sarah Tynan, soprano

Jeremy Ovenden, tenor

Matthew Brook, bass-baritone

Handel and Haydn Society Period Instrument Orchestra and Chorus


Handel and Haydn Sings

June 18, 2015, 7.30pm at Symphony Hall

Held in conjunction with the Chorus America National Conference

Harry Christophers, conductor

Handel and Haydn Society Period Instrument Orchestra and Chorus

Handel: Coronation Anthem, No. 1, Zadok the Priest

Bach: Singet dem Herrn

Pärt: The Deer’s Cry

Handel: Overture and final choruses of Act II from Jephtha

Palestrina: Vineam meam non custodivi

MacMillan: O radiant dawn

Palestrina: Pulchrae sunt genae tuae

Handel: Part the Third from Messiah

      Frank: Title TBD (World premiere, co-commission with the Library of Congress)


2014–2015 Guest Artists, Soloists, and Conductors

Harry Christophers, conductor

Richard Egarr, conductor

Lisa Graham, conductor

Scott Allen Jarrett, conductor

Grant Llewellyn, conductor


Matthew Brook, bass-baritone

Allan Clayton, tenor

Sarah Coburn, soprano

Joshua Ellicott, tenor

Andrew Foster-Williams, bass-baritone

Joélle Harvey, soprano

Andrew Kennedy, tenor

Matthew Long, tenor

Tim Mead, countertenor

Aisslinn Nosky, violin and leader

Jeremy Ovenden, tenor

Renata Pokupić, mezzo-soprano

Brindley Sherrattbass

Christianne Stotijn, mezzo-soprano

Sumner Thompson, baritone

Sarah Tynan, soprano

Roderick Williams, baritone



The 2014–2015 Bicentennial Season marks Harry Christophers’ sixth as Artistic Director of the Handel and Haydn Society. He has conducted Handel and Haydn each season since September 2006, when he led a sold-out performance in the Esterházy Palace at the Haydn Festival in Eisenstadt, Austria. Christophers’ tenure as Artistic Director began with the 2009–2010 Season. Christophers and H+H have since embarked on an ambitious artistic journey with a showcase of works premiered in the United States by the Handel and Haydn Society over the last 199 years, and partnered with the CORO label to produce a series of recordings leading to the 2015 Bicentennial. Christophers is founder and conductor of the UK-based choir and period-instrument ensemble The Sixteen. He has directed The Sixteen throughout Europe, America, Australia, and the Far East, gaining a distinguished reputation for his work in Renaissance, Baroque, and 20th-century music. In 2000, he instituted The Sixteen’s “Choral Pilgrimage,” a tour of British cathedrals from York to Canterbury. With that ensemble, he has recorded over 100 titles for which he has won numerous awards, including a Grand Prix du Disque for Handel Messiah, numerous Preise der Deutschen Schallplattenkritik (German Record Critics Awards), the coveted Gramophone Award for Early Music, and the prestigious Classical Brit Award (2005) for his disc entitled Renaissance. In 2009, he received one of classical music’s highest accolades, the Classic FM Gramophone Awards Artist of the Year Award, and The Sixteen won the Baroque Vocal Award for Handel Coronation Anthems, a CD that also received a 2010 Grammy Award nomination. In 2014, the Sixteen was also awarded a Grammy nomination for Palestrina, Vol. 3.

Harry Christophers is principal guest conductor of the Granada Symphony Orchestra and a regular guest conductor with the Academy of St. Martin in the Fields and the Orquestra de la Comunidad de Madrid. In October 2008, Christophers was awarded an Honorary Degree of Doctor of Music from the University of Leicester. Most recently, he was elected an Honorary Fellow of Magdalen College, Oxford and also of the Royal Welsh Academy for Music and Drama. He received a CBE (Commander of the Order of the British Empire) from the Queen of England in 2012 for services to music.



Founded in Boston in 1815, the Handel and Haydn Society (H+H) is considered America’s oldest continuously performing arts organization. H+H will celebrate its Bicentennial in 2015 with a series of special concerts and initiatives to honor 200 years of music making. Under Artistic Director Harry Christophers’ leadership, H+H’s mission is to enrich life and influence culture by performing Baroque and Classical music at the highest levels of artistic excellence, and by providing engaging, accessible, and broadly inclusive music education and training activities. H+H’s Period Instrument Orchestra and Chorus present live and recorded historically informed performances of this repertoire in ways that stimulate the musical and culture life of the Greater Boston community and beyond.

H+H’s esteemed tradition of innovation and excellence began in the 19th century with the American premieres of Handel’s Messiah, Haydn’s Creation, Verdi’s Requiem, and Bach’s St. Matthew Passion. Today, H+H is widely known through its local subscription series, tours, concert broadcasts on 99.5 WCRB and National Public Radio, and recordings. H+H’s first recording with Harry Christophers, Mozart Mass in C Minor, was issued in September 2010 on the CORO label. Subsequent releases include Mozart Requiem (2011), and Coronation Mass (2012), as well as the critically acclaimed Haydn, Vol. 1 (September 2013) and the best-selling Joy to the World: An American Christmas (October 2013).

As a 21st-century performing arts organization, H+H’s primary roles are to perform and educate, and to serve as a resource center and community partner. The Karen S. and George D. Levy Education Program, established in 1985, reaches 10,000 children each year in underserved Greater Boston communities. H+H also maintains partnerships with cultural and higher educational institutions.


Handel and Haydn Society serves up another Baroque Brunch at Boston Globe WGBH Boston Summer Arts Weekend

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Handel and Haydn Society serves up another Baroque Brunch at Boston Globe WGBH Boston Summer Arts Weekend

Now in its third year, the midday program will include performances by soprano Teresa Wakim, Concertmaster Aisslinn Nosky, harpsichordist Ian Watson, and other outstanding H+H talent.

WCRB’s Laura Carlo hosts the Sunday, July 27 event at the Fairmont Copley Plaza.

July 8, 2014 (Boston, MA) —  The Handel and Haydn Society, the Boston Globe, and WCRB bring back a fun summer tradition that is both to be heard and savored. The popular Baroque Brunch returns to the Fairmont Copley Plaza, Boston on Sunday, July 27 from 11am to 1pm.

The public is invited to join harpsichordist and director Ian Watson, Concertmaster Aisslinn Nosky, soprano Teresa Wakim, and other beloved H+H musicians for performances of well-known and less familiar Baroque music. This concert / discussion will take place on the final day of the Boston Globe WGBH Boston Summer Arts Weekend.

Works by Handel, Purcell, and Vivaldi are scheduled to be performed. The titles of pieces will not be announced until concert day to preserve an element of surprise.

“The Baroque Brunch is such a unique idea—excellent food, excellent music, shared tables with friends you haven’t met yet—and a whole lot of fun,” says WCRB’s Laura Carlo who will return to host the event. “I feel blessed to be associated with one of early music’s leading organizations in the whole world. To think that these exceptional musicians will entertain us while we dine in Baroque splendor. We’re not only ‘Boston strong,’ we’re ‘Boston lucky’!”


Baroque Brunch with the Handel and Haydn Society and Laura Carlo

Sunday, July 27, 2014 at 11am

Fairmont Copley Plaza, Boston

General admission: $75 (plus $5.12 handling fee)

Tickets for Baroque Brunch can be purchased at www.boston.com/sponsored/extra/summerartsweekend/baroquebrunch.

Program to include Baroque favorites performed by the following Handel and Haydn Society artists:

Teresa Wakim, soprano
Aisslinn Nosky, violin
Abigail Karr, violin
Colleen McGary-Smith, cello
Ian Watson, harpsichord and director

H+H Education Outreach Program Announces Three Scholarship Winners

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This year’s winners will perform alongside members of the High School Soloists program on Wednesday, June 11 at New England Conservatory’s Williams Hall.

Past award recipients have gone on to many of the nation’s leading conservatories, including the Juilliard School, the Eastman School of Music, and New England Conservatory.

May 29, 2014 (Boston, MA) —  The Handel and Haydn Society Education Outreach Program is proud to announce the winners of this year’s scholarship awards. Each spring, H+H presents three prizes to local high school and college students. This year’s winners are Jessica Toupin of Dracut, Mass.; Jenna Lorusso of Acton, Mass.; and Andrew Milne of Westborough, Mass.

Jessica Toupin receives Candace MacMillen Achtmeyer Award

The Candace MacMillen Achtmeyer Award of $1,500 is presented to a graduating high school soloist who intends to continue his or her musical studies in college. The award was established in 2001 in loving memory of Candace Achtmeyer, a member of the Handel and Haydn Society Board from 1993–2001 and a member of the Education Committee, where she voiced passionate opinions about H+H’s responsibility to the community and children.

Jessica Toupin has been singing soprano in H+H’s Young Women’s Chorus since her sophomore year in high school and in the Soloist program during her senior year. Of her H+H experience, Jessica says, “It was in the choral room at Boston Latin where I discovered the power of choral music, and it was in my lessons at New England Conservatory Preparatory School where I fell in love with composers like Bellini and Fauré, and thought to myself, ‘This is it, I want to have a career in the world of music.'” In the fall, Jessica plans on enrolling in the undergraduate program at University of Massachusetts/Amherst Commonwealth College where she will double major in vocal performance and music business or mathematics.

Jenna Lorusso receives Barbara E. Maze Award for Musical Excellence

The Barbara E. Maze Award for Musical Excellence extends H+H’s support to an outstanding high school soloist alumnus/a who has pursued further musical studies and professional performance with an award of $2,000. The award is named in honor of Handel and Haydn Society Governor Barbara E. Maze, who served on the board from 1993–2009 and was instrumental in creating the Vocal Arts Program (VAP).  For 40 years, she was an assistant dean of student affairs at Boston University where she influenced many students in their pursuit of professional music careers.

Jenna Lorusso graduated from Westminster Choir College of Ryder University this May where she pursued a Bachelor of Music in Vocal Performance. During her tenure at Westminster Choir College, she sang in the chorus for Westminster Opera Theatre’s production of Offenbach’s Les Contes d’Hoffmann. This past fall, she covered the role of Madam Silberklang in Mozart’s Der Schauspieldirektor, her first full operatic role. Her senior year capstone project was a lecture-recital on the Spanish influence on French and German song. In the fall, Jenna will continue to pursue voice studies at the graduate level.

Andrew Milne receives Evangelyna Etienne Award

The Evangelyna Etienne Award provides a $500 award to a current or former VAP student age 16-24 who plans to continue vocal training at the college level. The award was created in memory of VAP alumna and two-time scholarship winner Evangelyna Etienne who passed away in September 2011 after battling a terminal illness. Through her commitment and passion for vocal music, Evangelyna displayed a generosity of spirit and an ability to inspire.

Andrew Milne is enrolled in the undergraduate program at the SUNY Fredonia School of Music, where he is majoring in music education and choral-vocal studies. Upon his anticipated graduation in 2015, Andrew plans on pursuing a career as a middle school or high school music educator. His graduate study plans include seeking a master’s degree in choral conducting. An Eagle Scout, he spends his summers at Cub Adventure Day Camp in Bolton, Mass., where he is program director. In addition, he will be starting a community chorus in his hometown for anyone who is interested in singing, regardless of age and ability.  “The music program and the people in Westborough have given me so much over the years, and I want to give something back to them all in the best way I know how,” he says.


VAP Soloists Spring Recital and Awards Ceremony

Wednesday, June 11, 2014 at 7.30pm

Williams Hall at New England Conservatory, 30 Gainsborough St., Boston

Free admission


Auditions for High School Soloists

Saturday, June 14, 2014, 10.30am–2pm

New England Conservatory, 241 St. Botolph St., Boston

Arrange auditions online at handelandhaydn.org/education/vap.


Auditions for VAP choruses

Saturday, September 6, 2014, 9.30am–1.30pm

Boston Latin School, 78 Avenue Louis Pasteur, Boston

Arrange auditions online at handelandhaydn.org/education/vap.

H+H Partners with the 2014 American Guild of Organists Convention

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The June 24 program at St. Paul’s Church, Harvard Square is one of many public events held in conjunction with the biennial national convention.

Concert presents the Handel and Haydn Period Instrument Orchestra and Chorus performing works by J.S. Bach and a seldom-heard cantata by C.P.E. Bach.

May 20, 2014 (Boston, MA) —  As it prepares for its upcoming Bicentennial Season, the Handel and Haydn Society continues to step up its community presence with a concert program at this year’s American Guild of Organists (AGO) National Convention in Boston.

The AGO convention, which will take place from June 23 to 27, will attract organists and other music-lovers from across North America and Europe for performances and worship, networking, and professional development. The H+H concerts on Tuesday, June 24 feature the Period Instrument Orchestra and Chorus at Cambridge’s historic St. Paul’s Church in Harvard Square. The hour-long program of sacred music by J.S. Bach and his son Carl Philipp Emanuel Bach will begin at 7:30pm and repeat at 9pm to accommodate conventioneers and the general public.

H+H Associate Conductor and Chorusmaster John Finney will lead the H+H musicians in C.P.E. Bach’s cantata Spiega, Ammonia fortunate (a work that has not likely been performed since 1770), J.S. Bach’s motet Komm, Jesu, komm, and J.S. Bach’s Missa Brevis in G Major. The vocal soloists for the June 24 program will come from the H+H Chorus.



H+H at the AGO 2014 National Convention

Tuesday, June, 24, 2014 at 7.30 and 9pm

St. Paul’s Church | Harvard Square

John Finney, conductor

H+H Period Instrument Orchestra and Chorus

C.P.E. Bach: Spiega, Ammonia fortunata, Wq 216

J.S. Bach: Komm, Jesu, komm, BWV 229

J.S. Bach: Missa Brevis in G Major, BWV 236



General admission is $20. Tickets can be purchased at the H+H Box Office at 617 266 3605 or online at tickets.handelandhaydn.org.

The Handel and Haydn Society Branches Out with Concerts across Northeastern Massachusetts

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Ahead of its 200th Season, members of the H+H Period Instrument Orchestra and Chorus will perform intimate chamber-sized programs at museum and church venues.

 Performances are Saturday, May 31 at 3pm at the Peabody Essex Museum; Sunday, June 1 at 2pm at the Concord Museum; and Tuesday, June 3rd at 12.15pm at King’s Chapel in Boston.

May 12, 2014 (Boston, MA) —  Handel and Haydn Society musicians will present three chamber-sized performances to audiences across Northeastern Massachusetts. H+H’s expanded presence stems from strategic initiatives to broaden H+H’s audience as it prepares for its upcoming Bicentennial Season.

The concerts will take place within a span of a few days and showcase the full breadth and talent of H+H’s singers and instrumentalists. Members of the Period Instrument Orchestra and Chorus will perform a wide range of repertoire, from the choral heights of German Baroque composer Heinrich Schütz to the 19th-century Romantic sounds of Felix Mendelssohn.

The May 31 program H+H at the Peabody Essex Museum coincides with the opening day of the exhibition “Turner & the Sea.” In the first full-scale examination of Joseph Mallord William Turner’s lifelong preoccupation with the sea, the Salem museum’s exhibition features iconic works spanning the painter’s career. To celebrate, mezzo-soprano Mary Gerbi and baritone Bradford Gleim join violinist Abigail Karr and fortepianist Ian Watson for songs and music by Haydn, Mendelssohn, and British composers working at the same time as J.M.W. Turner.

The next day, members of the Handel and Haydn Society Chorus perform a concert of early American a cappella songs at the Concord Museum. This specially tailored program connects with the just-opened exhibition “The Shot Heard Round the World: April 19, 1775” with music heard during that same time period. Christopher Hogwood Historically Informed Performance Fellow Teresa Neff will provide introduction and commentary during the concert.

On Tuesday, June 3, H+H returns to historic King’s Chapel for a free lunchtime concert of Schütz’s Musikalische Exequien, Op. 7. Back Bay Chorale Music Director Scott Allen Jarrett will lead the Handel and Haydn Society Chorus in the 35-minute program that takes place at the same location as H+H’s first concert in 1815.


H+H at the Peabody Essex Museum

Saturday, May 31, 2014 at 3pm

161 Essex Street, Salem; Morse Auditorium

$18 general admission; $15 seniors; $12 students (with valid ID); members free


H+H at the Concord Museum

Sunday, June 1, 2014 at 2pm

200 Lexington Road, Concord

$20 members; $25 non-members (includes museum admission)


H+H at King’s Chapel

Tuesday, June 3, 2014 at 12.15pm

58 Tremont Street, Boston; free admission


Student Artwork Inspired by Handel’s “Samson” on Display at Symphony Hall

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Creative collaboration between the Handel and Haydn Society and the Massachusetts College of Art and Design continues with Project: Handel 

 Artwork will be on display Friday evening, May 2 and Sunday afternoon, May 4 at Symphony Hall’s Cabot-Cahners Room

April 17, 2014 (Boston, MA) —  The Handel and Haydn Society (H+H) and the Massachusetts College of Art and Design are proud to announce the continuation of a unique creative partnership, now in its third year. Under the instruction of MassArt faculty members, junior class students in the Illustration department have created works of visual art inspired by Handel’s Samson. Twelve works will be on view at Symphony Hall’s Cabot-Cahners Room during the same weekend that H+H performs Handel’s dramatic oratorio.

Through Project: Handel, H+H and MassArt have explored the impact of multidisciplinary learning; demonstrated ways in which a performing arts organization and an artistic institution of higher education can engage students, educators, concertgoers, and the global internet community; and tested the public’s conception of the arts.

In October and February, H+H Historically Informed Performance Fellow Teresa Neff and H+H musicians visited MassArt classes to give students greater insight into who Handel was, how he approached composition, the story of Samson, and the music of this masterwork. On Tuesday, April 15, a panel of MassArt faculty and H+H patrons selected the 12 works to display at Symphony Hall. All project-related artwork, which ranges from ethereal abstraction to comic-book directness, is available for view on Handel and Haydn Society’s website, handelandhaydn.org/massart-samson.  Most images are accompanied by artist statements.

This educational initiative began in 2012 when H+H performed Bach’s St. Matthew Passion. It was such a success that the partners were eager to continue the collaboration, creating visual art to Beethoven’s Seventh Symphony, and now, Project: Handel.

“What we love about this partnership with MassArt is the incredible creative synergy,” says H+H Director of Bicentennial and Community Engagement Emily Yoder Reed. “It’s been a fun and effective way to break down the wall between the musicians and the audience, and build community engagement through another medium.”

“This is a terrific partnership opportunity,” says Linda Bourke, Chair of the Illustration Department at MassArt. “Our students learn about music and history through the process and then create illustrations that offer music patrons various points of view to contemplate. The process, including writing artist statements about their work, readies them for the professional creative economy.”

This collaboration will continue next year with Haydn’s Creation.