AUDITIONS

AUDITIONS ARE FOR PERIOD INSTRUMENTS ONLY

Auditions for the principal clarinet position with the Handel and Haydn Society Orchestra (H+H) will take place in Boston. There will be 2 rounds of auditions: preliminary and final. The preliminary round will be held behind a screen, and the final round will be unscreened. Only highly qualified musicians with significant experience performing with period instrument ensembles should apply. Resumes should be sent to:

Jason Fisher, Orchestra + Chorus Personnel Manager
Handel and Haydn Society
9 Harcourt St.
Boston, MA 02116

or by email: (preferred)
auditions@handelandhaydn.org

If you are submitting your resume by email it must be in PDF format. Please be sure that it includes your current mailing address, email address and telephone number.

Once we receive your resume the audition committee will review it and determine who is invited to participate in the audition. The committee reserves the right to reject any applicant they feel has insufficient experience performing on period instruments.

INSTRUMENT REQUIREMENTS

All musicians performing with H+H must own and perform on instruments that are appropriate for period historical performance. We do not perform on modern instruments, and orchestra members are not required to own or perform on modern instruments.

Pitch for the audition will be A=430 only.

AUDITION REPERTOIRE

CONCERTOS (both)

• MOZART Concerto for Clarinet in A major, KV 622 (1st movement)
• WEBER: 3rd movement of either concerto

ORCHESTRAL EXCERPTS (all)

• BEETHOVEN Symphony No. 4
  • Movement 2: [F] to 7 before [G]
• BEETHOVEN Symphony No. 6
  • Movement 1: mm. 474-492
  • Movement 2: mm. 68-77
• BEETHOVEN Symphony No. 8
  • Movement 3: Trio
• MENDELSSOHN A Midsummer Night’s Dream
  • Scherzo: Beginning to [B]
  • 7 after [D] to 6 before [G]
• MENDELSSOHN Symphony No. 3
  • Movement 2: Beginning to 1 after [B]
  • Movement 2: 4 before [C] to 13 after [D]
  • Movement 2: 2 before [F] to 4 after [G]
• MOZART La clemenza di Tito, K. 621
  • Solo from Aria No. 9 "Parto, parto": mm. 13-64, and mm. 117-146
• SCHUBERT Symphony No. 8 “Unfinished”
  • Movement 2: mm. 66-83

CHAMBER MUSIC (finals only, with members of the Handel and Haydn Society Orchestra)

• LICKL Casation in E-flat major

JOB DESCRIPTION

Members of H+H are hired on a per-service basis. The number of services varies from year to year based on various factors. Generally speaking, there are 6 full-orchestra subscription concert sets at Symphony Hall and 3 other subscription sets at other venues in Boston that may use smaller ensembles. Normally there are 12-15 hours of rehearsal for each set, and two performances, although those numbers may vary. There is no guarantee of a minimum number of services in any given season.

H+H operates under a collective bargaining agreement with the Boston Musicians’ Association, local 9-535 of the American Federation of Musicians. In accordance with the CBA, once a winner of the audition is determined there will be a one-year probationary period, after which tenure may be granted. H+H is generally required to hire tenured players before offering any services to non-tenured players.

Each member of H+H is required under our collective bargaining agreement to be a member in good standing on the Boston Musicians’ Association, Local 9-535 of the American Federation of Musicians, even if you are also a member of another musicians’ union local.

If you would like more information on all the various wage scales and working conditions, a copy of the collective bargaining agreement will be provided to you on request.

There are currently 24 tenured positions with the orchestra. Musicians who occupy tenured positions are expected to accept and play all requested services. Notwithstanding this, however, the contract allows the following minimums for services offered for the following concert season:

If the number of concert sets offered

• is 2, then the Musician must accept and play 1;
• is 3, then the Musician must accept and play 2;
• is 4, then the Musician must accept and play 2;
• is 5, then the Musician must accept and play 3;
• is 6, then the Musician must accept and play 4;
• is 7, then the Musician must accept and play 5;
• is 8, then the Musician must accept and play 6;
• is 9, then the Musician must accept and play 7;
• is 10, then the Musician must accept and play 7.

If the number of concert sets offered is greater than 10, the Musician must accept and play 75% of the sets offered. A tenured musician who does not meet the minimum above is subject to losing tenure.

WAGES

Are as follows for the 2024-25 season - $251.35 per service + 25% principal overscale
Note: per service rates are for both rehearsals and concerts

A pension payment of 16% of scale wages is currently made on the musician’s behalf by H+H.