We have no general instrumental auditions scheduled at this time. We do
periodically hold auditions for the orchestra substitute list; please
check this page for any future announcements.
Auditions for the principal oboe position with the Handel and Haydn Society Orchestra will take place Friday, March 23 and Saturday, March 24, 2018 in Boston. There will be 2 rounds of auditions: preliminary and final. The preliminary round will be held behind a screen, and the final round will be unscreened. Only highly qualified musicians with significant experience performing with period instrument ensembles should apply. Resumes should be received no later than January 2, 2018 and be sent to:
Jesse Levine, Personnel Manager
Handel and Haydn Society
9 Harcourt St.
Boston, MA 02116
You may also email your resume to firstname.lastname@example.org. If you are submitting it by email it should be in either PDF or MS Word format. Please be sure that your resume includes your current mailing address.
After the audition committee reviews your application, it may be determined that you will need to submit a recording of your playing to supplement your resume. You will be notified by January 15, 2018 if you need to submit a recording, or are invited to the preliminary round without one. Those who are asked for a recording must submit it no later than January 30, 2018.
Both preliminary and final rounds will require you to play on both baroque oboe at A=415 and classical oboe at A=430. The preliminary round will be in two parts; the first part will consist of 5 minutes of baroque oboe, at which point you will leave the room and be given approximately 30 minutes to prepare for the second part, which will be consist of 5 minutes of classical oboe. The final round will be run in a similar fashion, with a break in between baroque and classical rounds, but with a longer time period for each instrument (approximately 10-15 minutes per instrument).
All musicians performing with the Handel and Haydn Society Orchestra must own and perform on instruments that are appropriate for Baroque and Classical period historical performance. We do not perform on modern instruments, and orchestra members are not required to own or perform on modern instruments.
Audition repertoire will be posted at a later date. We will inform you when the list is posted.
Members of the Handel and Haydn Society Orchestra are hired on a per-service basis. The number of services varies from year to year based on various factors. Generally speaking there are 6 full-orchestra subscription concert sets at Symphony Hall and 3 other subscription sets at other venues in Boston that may use smaller ensembles. Normally there are 12-15 hours of rehearsal for each set, and two performances, although those numbers may vary. There is no guarantee of a minimum number of services in any given season.
Handel and Haydn operates under a collective bargaining agreement with the Boston Musicians’ Association, local 9-535 of the American Federation of Musicians. In accordance with the CBA, once a winner of the audition is determined there will be a one year probation period, after which tenure may be granted. Generally speaking, Handel and Haydn is required to hire tenured players before offering any services to non-tenured players.
Wages for the 2017-18 season and beyond are currently in negotiation. However, base wage scales for the 2016-2017 concert season are as follows:
Performance: $230.93 each
Rehearsal, per hour: $57.06
Principals receive an additional 25% of base wages.
A pension payment of 11.99% of scale wages is currently made in the musician’s behalf by Handel and Haydn. 1.5% union work dues are deducted from the musician’s scale wages.
When the new Collective Bargaining Agreement is ratified the updated wage scales for the 2017-18 season will be posted here.
There are currently 24 tenured positions with the orchestra, including this oboe position. Musicians who occupy tenured positions are expected to accept and play all requested services. Notwithstanding this, however, the contract allows the following minimums for services offered for the following concert season:
If the number of concert sets offered
is 2, then the Musician must accept and play 1;
is 3, then the Musician must accept and play 2;
is 4, then the Musician must accept and play 2;
is 5, then the Musician must accept and play 3;
is 6, then the Musician must accept and play 4;
is 7, then the Musician must accept and play 5;
is 8, then the Musician must accept and play 6;
is 9, then the Musician must accept and play 7;
is 10, then the Musician must accept and play 7.
If the number of concert sets offered is greater than 10, the Musician must accept and play 75% of the sets offered. A tenured musician who does not meet the minimum above is subject to losing tenure.