Thomas Carroll

CLARINET, BASSET HORN, CHALUMEAU

With a sound described as “beautifully warm” (Herald Times) and “sweet and agile” (New York Times), clarinetist and instrument builder Thomas Carroll performs extensively throughout North America and Europe on historical instruments. He holds degrees from Oberlin Conservatory, Indiana University, and The Royal Conservatoire of The Hague.

Thomas has performed as principal clarinet in venues ranging from the Kozerthaus in Berlin to the Concertgebouw in Amsterdam. He has been featured as a soloist with Philharmonia Baroque, American Bach Soloists, Mercury Chamber Orchestra, Lyra Baroque, Ensemble ad Libitum, Boston Baroque, and Grand Harmonie to critical acclaim. Thomas performs as principal clarinet with Philharmonia Baroque, Mercury Chamber Orchestra, Boston Baroque, Philharmonie Austin, and German-based L’Arte del Mondo. His wind transcriptions have been performed by Grand Harmonie, On Site Opera, and the Atlanta Opera. Eager to combine active scholarship with performance, Thomas is the co-founder with flutist Andrea Leblanc of Arpeggione, a chamber ensemble taking inspiration from the celebrated history of Boston’s Mendelssohn Quintette Club, performing transcriptions and arrangements of large-scale works as they were originally heard on the American stage in the second half of the 19th Century.

An interest in instrument mechanics and acoustics has led Thomas to a secondary career as an instrument builder and extensive research into 18th and 19th century wood treatment and seasoning. He builds chalumeaux, baroque, and classical clarinets, and basset instruments for use in historically-informed performance ensembles in his Boston workshop, which are played throughout North America, Europe, Japan, and Australia.