H+H Blog

What is Historically Informed Performance (HIP)?

H+H follows Historically Informed Performance practices, commonly shortened to HIP. Because H+H performs music from the 17th though the early-19th centuries, current understanding of the musical traditions associated with those centuries underlies any performance decision.

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Joe from Marketing reveals top concert picks for 2025–26 Season

Subscriptions are now on sale for our 2025–26 Season and you can secure your spot online or by calling our Box Office. Plus, single tickets for our thrilling season opener, Handel’s Saul, are officially on sale now. Not sure which concerts to choose? Don’t worry–Joe from Marketing has got you covered! Joe shares his top …

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A Guide to Baroque Brass Instruments: Baroque Trumpet and Trombone

By John Tamilio III, Ph.D. There is a moment during H+H’s performance of Handel’s Messiah when two trumpet players emerge from opposite wings of the Symphony Hall balcony and play a fanfare. It’s one of my favorite parts of this famous oratorio. My heart skips a beat at the sound of the majestic flourish, imagining that this is how …

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Feeling HIP? Get Ready for Beethoven 9

Get Ready for Beethoven 9 By John Tamilio III, Ph.D. According to legend, Ludwig van Beethoven had to be turned around to face the audience after his Symphony No. 9’s 1824 premiere; his hearing loss was so acute that he couldn’t hear their rapturous applause. Nevertheless, this first audience was clearly awestruck by the otherworldly …

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Feeling HIP? A Guide to Baroque String Instruments

By John Tamilio III, Ph.D. The Handel and Haydn Society has been a leading player in the Boston music scene for over 200 years, but for the past four decades—since the arrival of former Artistic Director Christopher Hogwood in 1986—it has been in the vanguard of ensuring the early music capital of North America has …

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Q+A with Dr. Ellen Harris: Revisiting Handel as Orpheus

Dr. Ellen Harris didn’t plan on writing a book about homosexual subtext in George Frideric Handel’s chamber cantatas. But as one of the foremost Handel scholars in the world—Dr. Harris is the Class of 1949 Professor Emeritus at the Massachusetts Institute of Technology and the current President of the Handel House Foundation of America—she had …

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Q+A with Derek Tam and Addi Liu: The “Chinese Baroque”

What does “Chinese Baroque” music sound like? According to conductor and keyboardist Derek Tam and doctoral researcher and violinist Addi Liu (both experts in the field of early music), we don’t necessarily know—but it’s worth imagining. Their research focuses on musical exchanges and misunderstandings between Chinese and European people from the late 16th century to …

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Q+A with Anthony Trecek-King, Resident Conductor

When conductor Dr. Anthony Trecek-King learned that Handel had ties to the North Atlantic slave trade, the next step seemed obvious: He wanted to create an immersive concert experience that explored that history and that, above all else, asked H+H audiences to “think and feel.” Now, he’s bringing Crossing the Deep to Boston this June, …

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Q+A with Ben Bliss, Tenor

Tenor Ben Bliss has been singing J.S. Bach since the days of high school choir back home in the Kansas City suburbs. Now, he travels the world bringing Baroque and Classical music to life with a voice hailed by Première Loge as “close to the ideal.” After making his debut with H+H at our 169th …

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Q+A with Emi Ferguson, H+H Principal Flute

H+H principal flute Emi Ferguson grew up in Brookline listening to the Handel and Haydn Society. She stretches the boundaries of the modern-day musician as a flutist, singer, and composer, performing with period ensembles around the world. This month, she’ll light up the Symphony Hall stage as the soloist for Mozart’s first flute concerto, one …

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